2021

We the People Who Are Darker Than Blue

Installation

We the People Who Are Darker Than Blue,
We the People Who Are Darker Than Blue,
2011-present, ink pastel on paper; acrylic on Wall and music set, 772 x 437 cm + 709 x 437 cm + 457 x 437 cm, 2021, execution i.c.w. StudioAdemagic, location: Art Institute Melly Rotterdam, (ph) Kristien Daem.

 

Dutch Nurses 2015, @ Royal Palace Amsterdam 2021

Installation

Iris Kensmil, Dutch Nurses, 2021 (2015), 15 drawings, ink, pastel on paper, acrylic, 210 x 531 cm, @ Royal Palace Amsterdam, NL
Iris Kensmil, Dutch Nurses, 2021 (2015), 15 drawings, ink, pastel on paper, acrylic, 210 x 531 cm, @ Royal Palace Amsterdam, NL
(ph) Benning&Gladkova

2020

When I dare to be powerful, 2019, @ Albertinum Dresden (DE)

Installation

When I dare to be powerful, 2019
When I dare to be powerful, 2019
Pencil on wall, oil on canvas, 489 x 631 cm. @ Albertinum, Dresden, DE, 2020 (May Ayim, Katharina Oguntoye)

2019

Six Women (Understanding Futurity) 2019, @ Museum of Art, Haifa

Installation

Six Women (Understanding Futurity)
Six Women (Understanding Futurity)
2019, charcoal on paper, acrylic on Wall, 325 x 1435 cm, @ Museum of Art, Haifa
(Wadiaa Qadoura Khartabil, Claudia Jones, Huda Sha'arawi, Philomena Essed, Suzanne Cesaire, Octavia E Butler)

 

Dutch Nurses, 2015, @ Museum Kranenburgh, Bergen, NL. 2019

Installation

Dutch Nurses
Dutch Nurses
2019 (2015), 16 drawings, ink, pastel on paper, pigment, casein on wall, 210 x 589 cm,

 

Landgenoten #2

Installation

Landgenoten #2
Landgenoten #2
2019, oil on canvas, 90 x 65 cm + De ware geest van 't vrije, vrije Suriname, 2009, opl. 60, print op 15 kaarten, 97 x 33 cm

 

Venice Biennial 2019: The New Utopia Begins Here #1, 2019 @ Dutch Pavilion @ Venice Biennial

Installation

The New Utopia Begins Here #1
The New Utopia Begins Here #1
2019, acrylic paint on wall, oil on canvas, 550 x 1596 cm. @ Dutch Pavilion
(Hermina Huiswoud, bell hooks, Amy Aswood Garvey, Sister Nancy, Octavia E. Butler, Claudia Jones, Suzanne Césaire) (ph Gerrit Schreurs

 

Venice Biennial 2019: The New Utopia Begins Here #2 (Audre Lorde), 2019 @ Dutch Pavilion @ Venice Biennial

Installation

The New Utopia Begins Here #2
The New Utopia Begins Here #2
2019, ink and acrylic paint on wall, 580 x 390 cm. @ Dutch Pavilion at Venice Biennial (Audre Lorde) (ph) Gerrit Schreurs

 

Venice Biennial 2019: Beyond the Burden of Representation, 2019, @ Dutch Pavilion @ Venice Biennial

Installation

Beyond the Burden of Representation
Beyond the Burden of Representation
2019, acrylic paint on wall, oil on canvas, books on shelves, 580 x390 cm. @ Dutch Pavilion at Venice Biennial (stanley brouwn, David Hammons, On Kawara, Charlotte Posenenske, Adrian Piper) (ph) Gerrit Schreurs.

2017

Study in Black Modernity

Installation

Study in Black Modernity
Study in Black Modernity
2015 - 2017, mixed media installation, 300 x 2300 cm, commissioned for collection Van Abbemuseum, Eindhoven, Curator: Annie Fletcher - detail, (p) Peter Cox
Study in Black Modernity
Study in Black Modernity
2015 - 2017, mixed media installation, 300 x 2300 cm, commissioned for collection Van Abbemuseum, Eindhoven, Curator: Annie Fletcher - detail, (p) Peter Cox
Study in Black Modernity
Study in Black Modernity
2015 - 2017, mixed media installation, 300 x 2300 cm, commissioned for collection Van Abbemuseum, Eindhoven, Curator: Annie Fletcher - detail, (p) Peter Cox
Study in Black Modernity
Study in Black Modernity
2015 - 2017, mixed media installation, 300 x 2300 cm, commissioned for collection Van Abbemuseum, Eindhoven, Curator: Annie Fletcher - detail, (p) Peter Cox

Study in Black Modernity

“Dutch artist Iris Kensmil has made a new work for the Van Abbemuseum’s collection. Kensmil combines abstract patterns, classical portraiture and references from politics and literature that resonate with her position as a Black artist.

The installation includes a series of publications from key figures within what Kensmil calls Black Modernity. All of these books are available to read in our Library. In the installation, these books are accompanied by a series of drawings, large and small, which reflect on the historic position of the back subject within emancipatory politics, art history, hiphop and the anti racist and Black Lives Matter protests which have recently gained increasing visibility and traction.  For Kensmil her style of painting and use of portraiture has a specific function. By bringing them into the European art museum she gives Black individuals, who have had a formative historic role, their place in art history.

BECOMING MORE

Study in Black Modernity was commissioned as part of Becoming More, a ten-day caucus event comprising lectures, performances, screenings, commissions, discussions and food hosted by the Van Abbemuseum. Kensmil has been invited along with other artists to develop and co-author the caucus. Drawing on previously neglected histories and generating new work with promising artists in the Netherlands stimulates the Van Abbe to take part in a broader dialogue as a catalyst for change. In this context Iris Kensmil has convened the programme of the opening on Thursday 18 May (lecture by Gloria Wekker) an the programme On experiences and Choices on Friday 19 May.”

2015

Voices across the Ocean

Installation

Voices across the Ocean, 2015
Voices across the Ocean, 2015
Installation 394 x 700 cm, @ Club Solo, with Here the new Negro begins, 2015 en Angela Davis #2, 2015 (both collection Van Abbemuseum)

 

Rhythm of Dutch spoken Words, 2015, @ Club Solo, Breda NL

Painting

Rythm of Dutch spoken Words
Rythm of Dutch spoken Words
2015, pigment casein on wall, oil on canvas, 350 x 517 cm.

 

We the People who are darker than blue, 2015 (second version)

Installation

We the People who are darker than blue, 2015, (second version)
We the People who are darker than blue, 2015, (second version)
Ink, pastel on paper (310 x 470 cm), dj-set on table.
We the People who are darker than blue, 2015, (second version)
We the People who are darker than blue, 2015, (second version)
Ink, pastel on paper (310 x 470 cm), dj-set on table.

2011

Wie spreekt

Installation

wiespreekt-site
wiespreekt-site
2011, ink, pastel on paper, pigment caseinon wall, 344 x 298 cm. collection Stedelijk Museum Amsterdam

2010

No Sidon na bakra sturu, with Charl Landvreugd, @ Kara Walker Studio NY

Installation

No Sidon a bakra sturu
No Sidon a bakra sturu
I.c.w. Charl Landvreugd, tempera, casein on wall + ink, pastel op paper, sizes variable, Location Kara Walker studio, New York, USA
No Sidon a bakra sturu
No Sidon a bakra sturu
I.c.w. Charl Landvreugd, tempera, casein on wall + ink, pastel op paper, sizes variable, Location Kara Walker studio, New York, USA

 

Sidonhopo

Installation

Sidonhopo
Sidonhopo
Print on canvas, pigments en casein, ink, pastel on paper, ca. 465 x 1140 cm, Location, Stedelijk Museum Amsterdam
Sidonhopo, detail
Sidonhopo, detail
Print on canvas, pigments en casein, ink, pastel on paper, ca. 465 x 1140 cm, Location, Stedelijk Museum Amsterdam
Sidonhopo, detail
Sidonhopo, detail
Print on canvas, pigments en casein, ink, pastel on paper, ca. 465 x 1140 cm, Location, Stedelijk Museum Amsterdam
Sidonhopo, detail
Sidonhopo, detail
Print on canvas, pigments en casein, ink, pastel on paper, ca. 465 x 1140 cm, Location, Stedelijk Museum Amsterdam

2008

And assorted men came to hear

Installation

And assorted men came to hear
And assorted men came to hear
6 x 244 x 244, ink, pastel on paper, latex, pigment, casein, dvd, beamer on turning-table

 

Then They Marched

Installation

Then they marched
Then they marched
Tempera, casein on wall + ink, pastel op paper, sizes variable

 

The True Meaning

Installation

The true meaning
The true meaning
Tempera, casein on wall + ink, pastel on paper, sizes variable

 

Ragga Dance

Installation

Ragga Dance
Ragga Dance
2008 @ Museum Jan Cunen, Oss, wall painting, drawings, coloured neon-lights.

2007

To Determine the Destiny

Installation

To Determine the Destiny, general view (click right for details)
To Determine the Destiny, general view (click right for details)
2007, pigments casein, ink on paper, 300 x 1650 +300 x 750 cm. @W139, Amsterdam
To Determine the Destiny, detail 1 (click right for detail 2)
To Determine the Destiny, detail 1 (click right for detail 2)
2007, pigments casein, ink on paper, 300 x 1650 +300 x 750 cm. @W139, Amsterdam
To Determine the Destiny, detail 2
To Determine the Destiny, detail 2
2007, pigments casein, ink on paper, 300 x 1650 +300 x 750 cm. @W139, Amsterdam.

 

The Problem of Defense

Installation

The problem of defense
The problem of defense
Tempera, casein on wall + ink, pastel on paper pigment casein on wall, ink, watercolour, pastel on paper, 294 x 60 cm, Collection Stedelijk Museum Amsterdam